26 September 2015 Trondheim Chamber Music festival concert at Gråmølna Analysis of To F: The work starts from nothing, a C with an overtone trill from ppp, and sul tasto. The tempo is so slow, and I need to create a very slow and gradual crescendo to forte. I have to force myself not to cut the time short, but…
Forfatter: marianne@cello.no
Developing presence vlog
Developing presence practice blog 8 April 2015 I start my session just working on sitting and centring my attention. Attention on how my back is, am I sitting on my sitting bones? Head balancing on the top. Not held, not forced, just balancing. Head free. Arms hanging. The cello peg is in my neck but I try not to be bothered.…
19 August 2015
Practice blog on interpretation of Khipukamayuk Today I will focus on the interpretation – and analyse the form of the work. Trying to see figures and rhetoric principles to help me create the interpretation. At the same time, I want to keep the feeling of presence through the whole practice session. And I also try to make an affect analysis…
Alwynne Pritchard: Hospice Lazy
Hospice Lazy 24 November 2014 Hospice Lazy, a concert performance with Alpaca Ensemble and Alwynne Pritchard Hospice Lazy is a project exploring what happens with music making and performing when we take away the “holding up” of the body, using hanging devices and supporting gear, or when we approach the instrument and music from the body moving. We worked with engaging…
31 August 2014 KHIPUKAMAYUK PREMIERE
Khipukamayuk by Lene Grenager Soloist with Trondheim Sinfonietta premiering Lene Grenager’s cello concerto Khipukamayuk In the concerto, we experiment with the use of electronic effects in an acoustic setting. Lene Grenager says about the work: This piece is a cello concerto for solo cello and sinfonietta. The title refers to the Inca – kingdom. To be able to maintain the…
10 & 11 December 2015
Recording Solo suite and Tryllesangen by Lene Grenager The Solo suite was written for me in 2008, to be played together with the Bach solo suite in c-minor, both with the A string tuned to G. This scordatura gives the instrument a darker and richer tone. The Solo suite is demanding and I have worked on it for a long…
6 June 2014
Practice blog Khipukamayuk The harmonics, it’s a chord part – seven bars – I try to change the tension for each shift of chords to show the musical development. Then there is a melodic part, from bar 122. I try to feel the energy of smaller notes before the long ones as upbeats leading into the next – it creates…
Spellemannsnominasjon
Platen Khipukamayuk nominert til Spellemannpris i klassen Tonos komponistpris! Det blir spennende den 28. januar om det blir pris, følg med på NRK! Spellemanpris nominerte 2016
Great comment in Klassekampen
Så derfor går jeg ned på T-banen for å lytte til «Khipukamayuk», en cd med musikk komponert av Lene Grenager og spilt av cellist Marianne Baudouin Lie, sammen med Trondheim Sinfonietta og dirigert av Trond Madsen i tittelverket på plata. Og platemerket er Øra Fonogram, etablert i 2005 og som muligens er å forstå som undergrunn. Og Grenager, er hun…